Corinthian Club, Glasgow

  • The bar front in this space is padded leather cast in concrete

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  • In Tellers Bar & Brasserie, topped by a magnificent ceiling and dome, features original French porter chairs and padded banquettes in purple

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  • The bank's original chandeliers were reproduced - by the company that made the originals

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  • Curved booths in white Corian are paired with bespoke zinc-base tables with Corian tops and oversized standard lamps

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Built as a bank in the Victorian era this grand old building in Glasgow is getting a new lease of life while reclaiming much of its splendour in an design by local practice Graven Images


Client: G1 Group

Design: Graven images

Size: 4,000 sq m

Completion Time: 8 months


FX

Built as a bank and subsequently used as the city’s High Court, the Glasgow Ship Bank’s 1884 building has a long and distinguished history. It is now the Corinthian Club, a four-floor ‘pleasure palace’ comprising bars, restaurants and a casino, which recently reopened after a refurbishment by local design practice Graven Images.

According to Graven Images design director Jim Hamilton, striking the right balance between the building’s history and its modern function was the key to designing scheme. ‘The building has already enjoyed several different lives, as a private home, a bank, a courthouse and as a nightclub, and this is another episode in its history,’ says Hamilton. ‘An important part of creating a more attractive, modern and multipurpose venue was to accept and recognise that history and at the same time move the building on.’

Instead of focusing on its courthouse past, Hamilton and his design team went back to its roots as a bank. The Bootleg bar, for example, which used to be the banking hall, has a bar made from old safes, and a mosaic floor by Scottish artist Nichol Wheatley made from more than half a million tiles with a design based on Scottish banknotes. Loose furniture here is an eclectic mix of chairs and tables by Graham and Greene, Pols Potten and One World.

The grandest space in the Corinthian Club is the Tellers Bar & Brasserie, which has a 7.5m-high glass dome. A previous scheme had not lived up to its potential, so Graven Images added some glamour with original French porter chairs, padded banquettes upholstered in purple, and zinc tables. There are two bars to be found here: one finished in cut-glass mirror tiles and topped with crackle-glazed lava stone; the other with an unusual front which looks like it is upholstered but has actually been made by casting padded leather in concrete.

‘It was a bespoke product from a Glasgow-based company called Gray Concrete,’ Hamilton explains. ‘We had seen a small sample of fabric cast in concrete, and we thought it would work really well with padded upholstery.’ Gray Concrete also created a full concrete sofa for outdoors, which looks so realistic that customers have occasionally sat down a little too hard on it. ‘They’ve had to put a sign up to warn people. In Glasgow, even the sofas are hard, jokes Hamilton.

The chandeliers here are reproductions of the ones originally used in the bank, and made by the same Bristol company. Surface specialist Rearo supplied specially designed curved booths in white Corian for the Tellers Bar. Hand-cut and shaped they are accompanied by bespoke tables designed by Graven Images with zinc bases and white Corian tabletops, oversized standard lamps –also designed by Graven Images – and classic wooden Cherner Chairs, a product originally designed by Norman Cherner in the Fifties and recently reissued.

The building’s exterior is Grade A listed so there was very little Graven Images was allowed do with it, but the designers were keen to make the Corinthian Club more visible from the street. ‘One of the issues in the past was that the windows didn’t give any views inside the building,’ says Hamilton. ‘We looked at how we could create certain internal focal points within the windows with a range of lighting techniques. We also added various ceiling and feature wall treatments in rooms to the front of the building to make them more eye-catching from the street.’

For example the Boutique bar on the ground floor has a cut-glass mirror-tiled ceiling and is lit by art deco chandeliers supplied by Du Bote Du Monde. To catch the attention of passers-by Graven Images placed by the windows cut-glass mirrors with a pattern loosely based on some of the building’s original decorative features.

A 5m-long glass and steel table designed by Graven Images and made by EK Metals and Glassage dominates the space, but this can be relocated as the room is sometimes used to stage fashion shows or pop-up shops. ‘A wall of LCD screens opposite the windows is a deliberate move to grab people’s attention with moving light and imagery, as well as acting as a large screen for fashion shows and product advertisement,’ says Hamilton.

The Boutique bar has a surround decorated with a thousand exquisitely crafted acanthus leaves, hand-moulded in plaster by Glasgow company Halcyon.

‘As a designer, a big part of your job is experiencing new things every day,’ says Hamilton. ‘On this job we were able to observe at close quarters all of these fantastic craftspeople using their skills to pull together a very testing interior. We take our hats off to them all.’

Words by Jamie Mitchell





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